Part of why the show feels like walking through a cardboard museum is that Misiak and Leary have absolutely no chemistry. They seem more like strangers making chit-chat in the grocery aisle than a ...

The framing device for “The Number 24” is obvious but no less effective: Through Sønsteby’s lecture we jump back and forth ...

Despite the intense tone of the film and its opening scene, the young Sønsteby is rarely flustered. He is a single-minded, ...